Lp Tim 2542 Wat Phra Khao

CK Dee (LP Deang 的徒弟，LP Deang 也是大马pidta王Tok Raja徒弟之一） BE2536 Wat Thong Dee ,Sungai Kolok

Kruba Ariyachat,Making Wish Takru

Monk: Kruba Ariyachat Temple: Wat SangKaew Phothiyan Thype:Making Wish Takru In aged 12, Kruba already follow his brother and become KaYong Wat and like to study. During that time, Kruba already show his intelligent in Buddhism Teaching. He can used one night only to familiar with Old LanNa (Tuah Meng) and later official as SaMakNing (6th,Apr,2541)at Wat Chai MongKung(Last Time Known As Wat Wang Mui), Lamphun. During Kruba 17 years old. Aliyachart name mean can understand the past and can know the future. Kruba first study with Kruba Chang Tip whose very famous and also Master for Kruba Boon Chum.Then later study with Kruba Boon Som, Kruba Intha, Kruba Zhai Wong Sar & other Senior Kruba at Northern Thai. Kruba also pass few years of Tudung life start from Chiang Mai ~ Lamphan ~ Paeh ~ Nan and stay at graveyard together with Phra Archan Manik and after that Phra Archan Manik was leaving and Kruba continue his Samadhi here alone for total of 8 months. Kruba was very well known on his Samadhi practice, just go for Deep Meditation for 8 days 7 night in this year from 2.1.09 to 9.1.09 with only 1 bottle of water and without eating and going out anywhere.

Early batch pidta of Tok Raja 督拉惹 หลวงพ่อครน บางแซะ Luang Por Kron with X-ray

In 2460 B.E. (1917 C.E.), at the age of 41, LP Kron released his first Phra PidTa amulets. This Phra PidTa is believed very powerful about protection, charm (“Metta Maha Niyom”, ability of getting mercy and favors from people) and wealth. Why Muslims respect LP Kron very much is that LP Kron once cured a daughter of the Sultan who was sick from black magic. He could help her recover that no Muslim doctors and magic gurus could do that. Sultan praised LP Kron very much and LP Kron became famous.

U Thong era style Buddha bucha

U Thong art flourished in Central Thailand between the 12-15th century A.D. in the period when Khmer influence was diminishing or disappearing and before and during the early stages of the Ayutthaya Kingdom. As such U Thong style was influenced by previous and contemporary styles in the region. Depending on prevailing influences and the time frame, U Thong Buddha images are often subdivided into three groups. Typical of U Thong Buddha images is a small band between the hairline and the forehead. The head features small curls. The face of the Buddha image is rather square with Mon and Khmer characteristics. During the early period the ushnisha (prominent bump on the top of Buddha's head) is topped by a lotus bud. In later period (Sukhothai influence), this is replaced by an elongated flame. The face became more oval later on, and the body more elongate under the influence of the Sukhothai style. The eyes are cast (not inlaid as often the case with images of the Ayutthaya period). The robe is draped in the open mode with a long flap over the left shoulder (see image below) ending above the navel. U Thong style Buddha images mostly display the gesture of Subduing Mara in the sitting position, and the gesture of Dispelling Fear (Abhaya Mudra) in the standing position.

Ayutthaya era style Buddha bucha

Ayutthaya era style Buddha bucha

隆普托Lp Thuad 254x Bucha

Lp Thuad 隆普托 254x Wat Chang Hai 瓦苍海 2.5 inch tall 2.5寸高 the middle one "ท" (tor thaharn) stands for Thuad (LP Thuad)